In this week's issue of The New Yorker, I write about Riccardo Muti, the Chicago, and the unsinkable Franck Symphony. Also, I have a Critic's Notebook on Thomas Adès's The Tempest, which opens at the Met on Oct. 23.
In this week's issue of The New Yorker, I write about Riccardo Muti, the Chicago, and the unsinkable Franck Symphony. Also, I have a Critic's Notebook on Thomas Adès's The Tempest, which opens at the Met on Oct. 23.