With eerie calm, Penelope absorbs Xenakis’s electronic masterpiece Bohor (1962), which blends Laotian mouth-organ, the clattering of Iraqi and Hindu jewelry, Byzantine chant, and piano sounds into a soundscape of bone-chilling beauty.
With eerie calm, Penelope absorbs Xenakis’s electronic masterpiece Bohor (1962), which blends Laotian mouth-organ, the clattering of Iraqi and Hindu jewelry, Byzantine chant, and piano sounds into a soundscape of bone-chilling beauty.