Chapter 15: The Wound

Part of the Wagnerism Audiovisual Companion. Most audio samples are by kind permission of Pristine Classical.

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From Patrice Chéreau’s Ring at Bayreuth.

p. 614: Wieland Wagner rehearses the Ring in 1965. His energetic movement on stage may give a slight sense of what his grandfather was like as a stage director.

p. 614: The opening of Joachim Herz’s film of The Flying Dutchman.

p. 615: Two images from Herz’s Ring.

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“Das Ende!” in the Chéreau Ring.

An image from Götz Friedrich’s Berlin Ring.

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p. 626: Joseph Beuys’s Vitex agnus castus.

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p. 629: At the online gallery of the Tate Modern you can see Anselm Kiefer’s Parsifal I, Parsifal II, and Parsifal III. Below is Parsifal IV at the Zurich Kunsthaus.

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p. 633: Dalì’s .

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Designs for Tristan Fou.

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p. 635: At the David Hockney Foundation you can see a video of Hockney’s Wagner Drive. Below, an image from Hockney’s production of Tristan at the LA Opera. I wrote more about the Wagner drives in a New Yorker column and on this blog.

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p. 641: The Arthur Rackham illustration of Siegfried that caught the attention of the young C. S. Lewis.

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p. 645: Valkyrie and Airboy.

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From Gil Kane’s Ring comic.

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From C. Craig Russell’s Ring comic.

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p. 646: John Williams’s Force theme in Star Wars.

p. 649: The opening scene of Malick’s The New World.

p. 652: Herzog’s La Soufrière (Wagner at around 28 minutes in).

p. 653: A scene from Herzog’s Lessons of Darkness.

p. 654: To the Wonder.

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